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Vanessa has a
powerful libretto authored by Gian Carlo Menotti, whose stormy love
affair with Barber culminated in this remarkable work. There was
considerable tension during the production of the text and score. After
Menotti had written the first scene up to the appearance of the
mysterious Anatol (the lover of both Vanessa and Erica) in the first act
and Barber had set it to music, the composer had to wait a year and a
half for Menotti to be free of his own operatic projects in order to
complete the text.
Concerning Menotti's libretto, Harriet Johnson of the New York Post
wrote, "This is possibly his finest libretto, a more mature piece of
writing than those he has provided for his own operas. May the two
foster artistically, together and singly, in the future. Their gifts, in
our time, are rare indeed." Barber
never regained the stature he enjoyed during the height of his success with
Vanessa. When he died of cancer in 1981 at the age of 70, his
longtime companion, Menotti, was at his bedside.
The opera, although in English, opens in French with Vanessa and her niece Erica planning an elaborate dinner.
Erica
"Potage crème aux perles"
Major Domo
"Potage crème aux perles"
Erica
"Ecrevissa a la bordelaise"
Vanessa
"Find something better than that."
Erica "Alores...langoustines grilles sauce
aux
huitres'
Major Domo "Langoustines grilles sauce aux huitres"
Erica
"Faisan braise au porto"
Vanessa
"Sick of
pheasant...Canard."
Erica "Palombes roties nature?"
Vanessa
"Better"
Erica "Gateau d'amandes au miel."
Major Domo
"Gateau d'amandes au miel."
Erica
"One
bottle of Montrachet, two bottles of Romanée-Conti
.That's all."
The dinner
set the mood for the seduction of Vanessa's niece, Erica, in the first act;
an illegitimate pregnancy in the second act; and an attempted
suicide and miscarriage in the third act -- a meal to remember.
Here are the recipes for the first act's
seduction meal:
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